I have no idea if I like Japanese whiskey. Let’s find out!
Tonight I have the three that the neighborhood liquor store has that are under $100/bottle. They actually have five in that latter category, including one at $325. I think I’ll be picking up a Talisker 25 year before I venture in that direction. Unlike the last time I did a glibtasting, these three are visually distinct, even if two are from the same company. For modifers/palate cleansers I have a good local cheddar, a decent semi-local chocolate and bread and fantastic local butter. Distilled water is available if I need to open any of these up, but looking at the proof I doubt that will be necessary. As with last time, I’ve got JW Black as a control and to check for palate fatigue.
Kanpai!
Same as above, but in glasses.
Suntory “Toki” Pale straw color. Not much nose. There is some toasted wood and spice, but it’s faint. It smells sweeter than I was expecting from the color and country. It tastes sweeter too. Definitely whiskey, definitely subtle. Going to try some cheese and see if that lends me any more insights. It’s a good pairing, and returning to the whiskey bring all sorts of new happenings to the forefront. If you’re going to drink this, definitely have a little protein or fat to help spread the flavor. It doesn’t have any direct analogue in my drinking experience, but it’s closest to a Speyside with a lot more of the sweet extractables from wood. I don’t know what they cask this in, but it’s responsible for most of the flavor. A good drink. It’s not particularly aggressive or challenging, but I don’t know that it is trying to be. If you ever wanted to dispel the stereotype of the Japanese being polite, reserved, non-confrontational and indirect, this is NOT the drink to go about doing it.
Mars “Iwai Tradition” Gorgeous mahogany color. I tend to really like beers that are this color. The color is so nice I keep catching myself thinking “I’m going to like this” and having to stop and reset my mind as to not prejudice the tasting – Right On Mars marketing department! This nose is more typical of bourbon, definitely less sweet but much more present than the Toki. Tasting it is surprising. It’s very smooth and clean, and seems to roll over the tongue without fully making contact. I get the impression that this is very light bodied, but body isn’t really anything one normally experiences with whiskey. The char that gives the color is very present in the mouth, with an ashy residual. Again, eating a bit of cheese really brings this to life. Eating it on a clean mouth this was like “Baby’s first bourbon,” but a bit of fat and we’re in Scotch land. When I first tasted this, I was impressed but thought it wasn’t really my thing. Now I know it can be great in the proper context. Again, this is its own beast, but closer to a Highland style with food, bourbon without.
Suntory “Hibiki” Color is amber. Nose is much more prominent than the others. There’s a lot going on with this one. Lots of esters, less sweetness. Much more interesting. Let’s see if this is worth the premium. Oh. Oh that’s good. This one is already open straight out of the glass. It starts off with bright notes like an Irish, then mellows to a very smooth long finish. Cheese brings out the toasted flavors, but the transformation is much less than the earlier two. I hate to say it because of the price differential, but the Hibiki is obviously superior to the first ones. I also can’t tie it as readily to another style for a comparison. But it’s excellent.
So, did I learn anything about Japanese whiskey? Do I have a better idea of what “Japanese Whiskey” is as a category? Nope, not in the least. I might have drawn some sort of conclusion after the Toki and the Mars, but the Hibiki was just too different. Maybe after trying a few dozen more examples I could tell you what this is all about, but until then I’ll just have to say these were all good whiskey. The natural followup question, is are these good enough to knock out any regulars in my current collection? The answer to that is unfortunately no. While I would never turn one of these down if offered (especially the Hibiki) there are tipple I like better at their prices (again, especially the Hibiki). I really am going to shell out for the Talisker 25 before an equally priced Nihonjin after this. But I’m glad I tried these, I can always earn more money.
NOTE:sloopy is wobbling, and chugging Vick’s products – Dayquil/Nyquil/ZZZquil – who knows? So, as part of a very Japanese Day here at Glibs…enjoy!
At least for today.
(The following was submitted with the gracious assistance and support of Heroic Mulatto in proofreading and lending his academic understanding of the subject)
The difficulty of learning any language depends on the language or languages which the learner speaks to begin with. For a native speaker of Spanish, Italian is a relatively simple language to learn as they share many characteristics. Learning a language from the same group as your native language is much easier than learning one from a very different language group.
English comes from the group of Indo-European languages, sharing characteristics with Germanic languages (German, Danish, Norwegian, Swedish, etc.), Roman languages (French, Italian, Spanish, Portuguese, etc.) and Slavic languages (Russian, Polish, Croatian, etc.). As different as these languages seem to be from the perspective of a person who might only speak one or even some number of these languages they have much more in common than they do with languages from other, unrelated language groups.
The language group to which Japanese belongs is an open issue with many modern linguists placing it in its own group. In the past it was grouped (somewhat loosely) with Korean and Mongolian. For our discussion we can state that Japanese is very different in many aspects from the Indo-European group.
The word order of a basic sentence in English is subject-verb-object. The word order of a basic Japanese sentence is subject-object-verb. This is probably the first difference between these two languages which the new learner finds out about. Further meaning is added with particle words (in English these are similar to “of”, “to”, “on”, “for”, etc.) and verb suffixes.
Japanese particle words do not correspond directly to any similar words in English. For instance, one of the first two particles the new learner will hear are “wa” and “ga”. There is no word in English remotely similar to either of these particles. The closest explanation for “wa” is “speaking of” with regards to the subject preceding it.
As an example, the sentence “I am drinking” would be “Watashi wa nonde iru”. “Watashi” is “I”. “Nonde” is “drinking”, and “iru” is the Japanese active “be” verb. So a rough translation of this sentence, in Japanese word order, would be “I, speaking of, drinking is”.
So you can see that Japanese grammar is very different from English grammar. But that’s not where it stops. Japanese language reflects the high-context modes of expression of the Japanese culture which means that much of the meaning is inferred from context and not stated explicitly. In standard Japanese conversation it is not uncommon for the subject to not be stated when that subject could be inferred from the situation. So quite often you would hear the above sentence “I am drinking” expressed simply as “nonde iru” since the reference to oneself is pretty easy to infer and thus not stated.
While Japanese is not unique in how it commonly drops the subject from subsequent discussion once it has been mentioned, it can be challenging for English speakers to keep up when a document rambles on for paragraphs, expecting the reader to remember the implied subject back at the top of the first page.
This makes translation into English particularly problematic as the subject is merely inferred in Japanese while the subject is often key in English. When you are explaining a business transaction and the original Japanese text is “it was decided to invest in the venture” without stating who it was who made that decision you have to infer from the body of the text who it was and add that in the English translation even when it is not written anywhere in the Japanese sentence. In translating Japanese to English I often have to make notes to keep track of the subject from one sentence or paragraph to the next. And from my experience, in written Japanese there are no rules against run-on sentences.
The same is common in colloquial speech which is even more problematic as you can’t just refer back to the previous page. I have been in conversations with Japanese native speakers in which one person (not me) begged forgiveness and said they had lost the plot back at “X” (three or four minutes earlier in the conversation).
In common usage Japanese language leaves out huge chunks of words which English speakers depend on to get the full meaning. If I were to translate the content of a normal conversation – only the words actually spoken in Japanese – it might sound something like this :
“Saturday went saw ‘Coriander’
How was?
Fun! Liked scene when main character jumped. Laughed.
Want to go see but wait to download. Expensive.
Make copy for me?
Yeah, give.”
The one saving grace of the Japanese language is the simplicity of pronouncing it. It has only five vowels which are the same as those in Spanish or Italian. The consonants are also very simple and easy to pronounce.
The one point of Japanese pronunciation which many new learners find challenging is long vowels. A long vowel is a vowel which is pronounced as two syllables of the same vowel sound. A common example is the two words for “uncle” and “grandfather”. “Uncle” is “ojisan” (short “I” sound) while “grandfather” is “ojiisan” (long “I” sound). To the neophyte these two words often sound the same while to a Japanese speaker the difference is distinct.
The Kanji. Definitely the most difficult aspect of learning the Japanese language. To be fully literate in Japanese you have to know 2 sets of Kana – Katakana and Hiragana – each with 46 Kana characters, and about 2,000 Kanji. Learning the Kana, if you are living in Japan where you see it all around you, is an almost trivial exercise, particularly when compared to learning the Kanji. Each Kana has only one way to pronounce it – it is always pronounced the same except for a few common exceptions.
The particle word “wa”, mentioned above, is written with the Hiragana character “ha” (は).
One other particle word “o” is written with the Hiragana character “wo” (を).
In writing the long vowel for the “o” sound, the second syllable is represented with the Hiragana character “u” (う). This holds true in the unusual case when Japanese words are written in Katakana (the character set which is generally reserved for foreign loan words) and the second syllable is written with the Katakana character “u” (ウ).
To people who have not studied Kanji they seem to be little more than a bunch of brush strokes at different angles with no rhyme nor reason. In fact, the order of every stroke (which stroke is first, second, next, and on through to the last stroke) is fixed as is the point where each starts and ends, even the flair at the end of a stroke – the direction up, down, left, or right – is fixed. Even the visual balance of the character is important and requires years of practice.
The key to getting started is learning the radicals. Radicals are basic sets of strokes, they are often simple Kanji, which are combined into a single Kanji and generally one of them holds a key to its meaning. There are 208 radicals and once you learn them every Kanji you see is easily broken down into its component radicals. Most Kanji are made up of two to four radicals.
There are about 40,000 Kanji in total but very few people have any reason to learn as much as half of that number. I have met one person who had learned every last Kanji – an Australian with a photographic memory who ran a software company producing digital Kanji font sets.
There are a few Kanji which have but one pronunciation. Most have two or three ways to pronounce them and a number can be pronounced several ways – some of which are unique to a specific usage or a place name.
A large number of words in Japanese are made up of two or three Kanji. In this way their usage is similar to English words made up of Greek or Latin root words like “television” or “invisible” which tell you the meaning by their component words.
As an example, there is a Kanji “Roku” (録) which has a meaning similar to “record”. It is used in the word for “register”: “Toroku” (登録), “record sound”: “Rokuon” (録音), and “record images”: “Rokuga” (録画).
But then, just to twist it further, there are a number of common examples of Kanji pairs which have more than one way to pronounce them with one pronunciation not related to how the individual Kanji are pronounced. There is a Kanji which is pronounced Aki, Mei, Myo, (明) and means “bright”. Another Kanji is Nichi, Hi, Ka, Jitsu (日) and means either “sun” or “day”. Together they can be pronounced “Myonichi” (明日) which means “tomorrow” but the more usual pronunciation for this same Kanji pair is “Ashita”. Note that neither Kanji has a pronunciation that could lead one to pronounce this pair as “Ashita”.
If you intend to really learn Japanese I recommend you master the Kana as soon as possible then start learning the Kanji. Knowing Kanji really supports learning new vocabulary. At first you could learn a number of the simplest characters, then get comfortable learning the 208 radicals. Many of the simplest characters are used as radicals so this study does overlap. A few of the radicals have alternative forms – are written differently – and it helps to understand the origin of these alternative forms.
I recommend writing Kanji repetitively. Get a notebook with grid squares and practice daily. You can also use any number of on-line tools. I still use asahi-net.or.jp to brush up from time to time.
You can take some time to get comfortable with the idea of learning Kanji but at some point you will have to accept the challenge and get serious. Set down a goal to learn a fixed number every week and practice them daily. When I got to this point in learning Kanji I was learning 50 new characters a week. The more aggressive you are in learning, the quicker you will reach your goal. When I was doing this I was focusing on recognizing each character and knowing the pronunciations with a lesser focus on understanding the meanings. The meanings don’t often correspond directly to words in English anyway so learning them in context later seemed to make more sense to me.
Contrast all this to Mandarin Chinese which is much harder to learn to pronounce because not only does it have consonants which are difficult for most English speakers to recognize but also is a tonal language – the exact same phonetic sound will have a different meaning depending on the tone. The sound “Ma” can mean horse, mother, scold, or can infer a question, depending on the tone it is pronounced with.
Chinese speaking cultures are also high-context with a direct effect on how the language is expressed which can be difficult for Indo-European language speakers to get used to.
The easiest part of learning Chinese for English speakers is the fact that the basic syntax is very similar – subject-verb-object. Like Japanese they have no concept for an article (the, a, an) which explains why both Japanese and Chinese have a hard time learning when to put in those particles when they first learn English.
Another point where I say Chinese is easier to learn than Japanese is the fact that about 90% of Chinese characters have only one way to pronounce them. The significance of this hit me on my first trip to China after having studied Japanese for ten years. Walking around the place seeing the characters everywhere reinforced my knowledge of them. I would see a character I had learned and know how to pronounce it even if I didn’t know the context it was being used in. In Japan, with the characters having multiple ways to say them, when I saw a character and didn’t know the word or context it was used in I could never be sure which pronunciation was correct.
Korean is probably the easiest north Asian language to learn if you have to pick one. Its pronunciation is simpler than Chinese while being just a bit more difficult than Japanese. The grammar is very similar to Japanese and it is about the same level when it comes to context. The written system is probably the most phonologically consistent script ever devised by humans and although they do use Chinese characters I understand that one can live there in the Korean language not knowing a single Chinese character and never have a problem with that lack.
Monster Hike is a book in the spirit of Bill Bryson’s A Walk in the Woods and Cheryl Strayed’s Wild. As Avrel Seale approached 50, he decided he needed an adventure. A hike seemed just the thing. He can’t leave his job to spend months hiking the Appalachian or Pacific Crest Trail and doing just a portion doesn’t appeal. He wants to do ALL of something.
He decides to do the Lone Star Hiking Trail through the Sam Houston National Forest in eastern Texas. The trail runs about 100 miles, a distance he thinks he can do in the time he has available. But, unlike most long hike books, Avrel Seale isn’t looking for enlightenment, he’s looking for big foot. He’s convinced that big foot exists and that there is a large population living in the Sam Houston National Forest. He also believes that the USDA and the Dept. of Interior are covering up the existence of big foot and keeping the population down.
Seale believes because of the thousands of sightings, video and other evidence. He also notes that the phenomena appears to be worldwide, not just limited to North America and that sightings stretch back in time with consistent details. He subscribes to the theory that big foots can be found in forested areas that receive at least 40 inches of rain annually and that offer prey such as deer. The Sam Houston National Forest fits that description, offering not just white tailed deer, but also wild hogs. It is considered a hot spot for big foot sightings.
So, while Seale follows the standard format of a hiking genre book, detailing the physical challenge experienced and providing some history of the trail, he also discusses why he believes in big foot, the state of the research and what signs of big foot he finds along the way. Along with the usual hiking gear, he brings audio recorders and a camera.
He sets off, alone, and on his very first night completely freaks himself out. He sees and hears a helicopter and gunshots. He thinks it must be the government hunting big foots. He’s convinced (at least in the middle of the night) that he hears big foots killing a white tailed deer. Twice. He also hears ‘tree knocking’, which is thought to be big foots hitting trees to communicate.
He feels better in the daylight and spends the second night in a camp, but still doesn’t sleep well. His brother is acting as support, and meets him at a trail head. Because he has slept poorly, he opts to have his brother pick him up each night and stay in an AirBnB with him. So, hike during the day and stay with his brother for most of the nights.
Near the end of the hike, he finds what he thinks is an 18 inch long footprint. It doesn’t look like a footprint to me, but, I’m not exactly a tracker. He finishes the hike and feels elated at his accomplishment.
As I’ve been reading rock-n-roll biographies, I’ve tried to make it an immersive experience. If the author talks about writing a song, I listen to the song. If they talk about a video, I watch the video. I even bought and drank Trooper beer. So, when Seale discusses (for example) The Bigfoot Field Research Organization, I checked it out. I even listened to part of a podcast. Apparently, through BRFO, you can join expeditions to search for big foot and they will train you in the correct, scientific, techniques. Essentially, you go camping with other people who are interested in finding big foot. Now, if you want to hunt big foot, well, look elsewhere. BFRO is strictly no kill. I bet the people that sign up have a blast!
When this book popped up in my Amazon recommendations (I blame you people!), my first reaction was to roll my eyes. Then, I thought this would be a fun review for Glibertarians. I was right. Seale comes across as plausible. He explains why he believes in ways that mostly stopped me rolling my eyes. For example, to the question of why haven’t we found big foot if it exists – he answers by asserting that we have! There have been more than 10,000 reported big foot sightings. As the book progresses, he points out that even if he’s wrong, no one has been hurt and he has learned science and met interesting people along the way. Not a bad return for any hobby.
Overall, I thought this book was a fun twist on the hiking genre. It didn’t change my mind about big foot, but it introduced me to a whole new sub-culture I had no idea existed. I rate it 3.5 out of 5 stars.
Resolved: The pre-64 Model 12 Winchester is the standard by which all pump shotguns must be judged. Now that that’s established, I’ll proceed to tell you about this magnificent shotgun and how it came to be the gold standard of pump shotguns.
My Black Diamond Trap Gun.
Full disclosure: I’m not impartial. I own three Model 12s – a 1940 12-gauge field gun, a 1941 16-gauge field gun, and a 1942 12-gauge Black Diamond trap gun. The sequential years are nothing more than a happy coincidence.
John Browning
It should come as no surprise that the DaVinci of firearms was involved in the genesis of the Model 12, as he was with so many American sporting and martial arms. But his involvement in this case is limited to a precursor of the Model 12.
The story begins in 1887. In that year, Winchester determined to build and sell a repeating shotgun. They turned to John Browning, who had developed the company’s outstanding 1886 lever rifle the year before, along with the Winchester 1885 falling-block single-shot rifle.
Browning had already produced a successful lever-action rifle for Winchester, and while he advocated a pump-action for a shotgun, Winchester’s official position at that time was that they were a lever gun company, and by God they’d have a lever-action shotgun. Browning came through, producing the 1887 lever gun, the first mass-produced repeating shotgun by a major manufacturer.
But the 1887 lever gun was big, clunky, and it’s drop-block lever action required a long throw. It was offered in 10 and 12 gauge but was only strong enough for black-powder shells, at a time when higher-performance smokeless powder loads were just beginning to become available.
Sales were lackluster. Double guns still handled better than the heavy lever gun and offered much faster second shots and quick reloads. Browning politely reminded Winchester of his stated position on the pump-action for shotguns. Winchester finally agreed that the brilliant designer may have had a point.
The Model 93/97
John Browning Winchester Model 1893 1897 US Patent 441390
In response, Browning designed the black-powder-only 1893 pump shotgun, which was quickly refined into the 12- and 16-gauge, smokeless-powder-capable Model 1897. The first variant of the ’97 offered in 1897 was a solid-frame 12 gauge, followed in 1898 by the takedown version in 12-gauge and the takedown 16 gauge in 1900.
Sales of the new gun were brisk, which probably earned Winchester’s management a “told you so” or two from John Browning. In fact, Browning liked the new shotgun enough that he retained one as his personal shotgun, using it on ranges and in the game fields until he died in 1926.
The 1897 had a few interesting features. The six-shot tubular magazine remains pretty typical for pump-guns made today, but the external hammer and lack of an additional safety probably wouldn’t fare well in today’s market – although I would opine, as I have repeatedly, that a gun with an external hammer doesn’t require an additional safety.
Another feature the 97 had was the lack of a trigger disconnect. This device disconnects the trigger when the action is cycled, thus requiring the trigger to be released and pressed again for follow-up shots. The 97, like most pump-guns designed in the early 20th century, was a “slam-fire” gun – one could hold the trigger down and cycle the action, firing a new round ever time the slide slammed home. This isn’t a terribly accurate way to fire a shotgun, but I will admit if can be great fun; when I was a young fellow, I used to experiment in this technique with my Dad’s old Stevens pump, which had the same capacity. I never learned to hit much that way but burned up a fair amount of shells until the Old Man saw me dumping magazines of cheap field loads into the dirt bank we used as a backstop and, fearing damage to his gun by the rough use, put a stop to my experimenting.
The ’97 was in production until 1957, a sixty-year run. During both World Wars, the U.S. Army and Marine Corps used 97s to good effect in combat, the old guns with their slam-fire ability, six-shot magazines, 18” barrels, heat shrouds and bayonet lugs making good “trench brooms” in Great War France as well as good last-ditch jungle weapons in such places as Guadalcanal and Bougainville in the Pacific during Great War Part Two.
Today Chinese manufacturer Norinco makes a copy of the 1897 Winchester, supposedly made exactly to original specs but, based on examples I’ve examined, certainly not to original standards. My estimation of these guns is that one might make a decent tent pole or boat anchor, but they are not stout enough to make a decent pry bar. If you’re looking for an external-hammer pump shotgun, skip the Chinese knockoffs and find an old Winchester.
In the grand scheme of things, however fine and successful a gun as the 97 was, was only the prequel to the Perfect Repeater.
Winchester’s T.C. Johnson
The Model 12, exploded.
There are few cases in which another designer has taken one of John Browning’s designs and improved it, but in 1912, Winchester engineer Thomas Crossley (T.C.) Johnson pulled it off.
Starting with the 1897, Johnson retained the take-down action mechanism, the six-round tubular magazine and the slam-fire capacity. The changes were primarily to the receiver. Johnson designed an enclosed receiver with an internal hammer, with the magazine loading from the bottom of the receiver and spent shells ejected through a port on the right side of the receiver. The feed system was also redesigned; where the 97 had used a big, heavy lifter to not only feed new rounds into the chamber but to also lock the bolt closed, the new gun used a much lighter shell lifter and instead locked the bolt closed with a lug that locked solidly into the top of the receiver. The receiver itself was machined from a billet of forged steel, making for a gun of immense strength for the time, perfectly capable of handling the new smokeless powder ammo.
Thus, was born the final configuration of the pump-action shotgun, which form persists even today.
Perhaps because the Model 97 was already being produced in 12 and 16 gauge, the Model 1912, as it was then known, was initially introduced only in 20 gauge, with 12- and 16-gauge versions being introduced in late 1913. The 16-gauge guns were built on the 20-gauge frame, making them an ideal compromise between “thump” and handling; my own 16-gauge is light, fast, a joy to handle, but with standard 2 ¾” shells puts out an appreciably larger shot charge than a 20.
Winchester’s marketing department were quick to promote the new pump-gun, labeling it “The Perfect Repeater,” which to my estimation is a pretty accurate description. A variety of Model 12s were produced, including lightweight versions and “Heavy Duck” guns that fired the very first 3” 12-gauge shells. Trap and Skeet versions were also produced, as were the fancy Pigeon Grade guns, featuring engraving, silver and/or gold inlays, and AAA+ walnut stocks and fore ends.
Like the 97 before it, the Model 12 also went to war, in trench gun trim, serving alongside the 1897 Winchester as well as the Stevens 520A and the Ithaca 37 in both World Wars as well as Korea and Vietnam. The government also bought standard versions for marksmanship training; those guns were fitted with big, ugly Cutts Compensators. The Old Man, when he ran a skeet range on an Army airfield in Victorville, California in late 1945 and early 1946, ran a lot of rounds through the range’s Model 12s and the accompanying Remington 11as.
It was in the game fields, though, that the Model 12 really shone. The combination of the enclosed, forged and machined receiver, the take-down action and the magazine capacity made the Model 12 very popular among bird and small-game hunters. The gun was well-made, reliable, strong enough to handle heavy loads and tough enough to withstand bad weather, rain, damp, snow, you name it.
A 1942 Winchester shotgun ad.
By the mid-20th century, though, the very success of the Model 12 had resulted in some competition. One notable pump-gun of mid-century, the Stevens 520/520A, also came from the mind of John Browning, but those guns were primarily aimed at the economy market and almost all were built in private-label trim for such outlets as Sears-Roebuck and Montgomery Wards. As such, they didn’t make many inroads into Winchester’s sales of Model 12s.
All that changed in 1950, with the introduction of the Remington 870, and a near-immortal pump-gun in its own right. But the 870, while also tough and reliable, was cheaper to produce and sold at a lower price than the Model 12. The 870 was a bargain for shooters, while the Model 12, with its forged, milled receiver and considerable hand-fitting, was becoming too expensive to produce. The introduction of more economical yet still reliable and tough pump-guns like the aluminum-framed Mossberg 500 furthered the trend; hand-fitted guns like the Model 12 were becoming too costly for most shooters.
In 1964, during the infamous Winchester reorganization, the company’s management decided that the Model 12 cost too much to build; the grand old gun was not a good gamble for the modern market. Production of the Model 12 ceased that year, although a few guns still made their way out of Winchester’s Custom Shop. Mikoru in Japan made a few guns on the Model 12 specifications bearing the U.S. Repeating Arms and Browning labels, but after 1964, mass production of the original Winchester Model 12 ended.
Today
If you’re looking to pick up an original pre-64 Model 12 today, there are plenty available, but you should be aware of a few precautionary notes:
Early guns had short chambers. In the first few years, 12-gauge guns had 2 5/8” receivers, while 16-gauge models had 2 9/16” chambers. It can be harmful to gun and shooter to fire 2 ¾” shells in these guns.
In the 1920s many Model 12s were produced with nickel steel barrels. These guns are all clearly marked on the barrel, “NICKEL STEEL,” and are still very fine guns; but be advised, if the finish is badly worn, these guns don’t reblue easily. There was a very specific process involved; back when Winchester was still Winchester, one could send nickel steel guns in for refinishing and the company would do a very fine job. The attempts I’ve seen since then, done by third parties, have had… well, mixed results.
Both the 1897 and Model 12 Winchester shotguns have notoriously thin barrel walls. This will not be an issue unless your desire to have a gun cut for choke tubes. Most outfits simply won’t touch an old Model 12; Carlson, for example, will tell you to not even send the gun in for evaluation. I have had two Model 12s cut for tubes by Briley, the only outfit I’m aware of that will touch this job; the tubes provided are frighteningly thin. I bet I could crush one flat between thumb and forefinger, although I won’t try; I have fired quite a few rounds through both 12 and 16 with these tubes, however, with no issues whatsoever.
The market in pump shotguns today is an embarrassment of riches. But you have to wonder, every time a gun company engineer comes up with a new pump-gun design, has to ask himself, somewhere in the deep recesses of his mind, “How will this compare to the Model 12?”
For longevity, for fit and finish, for reliability, for flawless function, and, yes, for beauty, the Model 12 Winchester remains The Perfect Repeater – the gold standard, the gun by which all other pump shotguns are measured. I don’t see that fact changing any time soon.
Hoo-boy. What a good way to start the college football season. Unless you’re a Tennessee fan. Or Missouri fan. Or South Carolina fan. Or Ole Miss fan. Just kidding. They’ll just have to cheer for the whole conference a little stronger this year. Which won’t be hard for them, since they’re used to doing that every year. I do wonder, though: would Greg Schiano have been losing games to a Sun Belt team that went 2-10 last year? Congrats Vols, you get what you deserve.
This is how pathetic England has become.
The Buckeyes looked great for the first 8 minutes. Which is all that was needed. Oregon shit the bed against Auburn. Oklahoma isn’t missing a beat at QB. And Notre Dame will be playing tonight, the attention whores.
Congrats are in order to Justin Verlander, who threw his third career no-hitter yesterday. Dude was lights-out with 14 Ks and some untouchable action. And he got his usual run support of “hardly anything at all” with the Firstros finally putting a 2-spot on the board in the top of the ninth. The Yankees won to stay a game ahead in overall record. And everything else is about positioning now.
Joker’s shoulder injury caught up with him as he withdrew in the third set of his Round of 16 match. Serena is cruising now, so I’ll probably end up being half-right. Which sucks. Liverpool go into the international break with maximum points. Man City aren’t far behind them. The NLD was pretty entertaining and also resulted in the best way possible for everybody else in the league. And that’s pretty much it.
No birthdays update today except for one: Keanu Reeves. Plenty of other people, but I’m getting behind schedule. Way behind schedule, and I need to catch up so I can post these on time.
Sorry about that. But we all know you really came here for…the links!
Actress Debra Messing thinks blacklists are cool. Seriously, are these Hollywood “stars” so empty that they can’t even remember McCarthyism? Christ, what an asshole.
Well done San Francisco area cops. You stopped those dreaded kids and their crazy antics in parking lots. Just kidding, your streets are covered in human waste and heroin needles. Get your fucking priorities straight, assholes.
And the dickhead who went all Grand Theft Auto rampage mode in west Texas has been identified. Meanwhile, Beto is dropping f-bombs trying to shame people into giving up their rights and everybody else on the left is trying to politically capitalize on the series of senseless killings. Meanwhile, more people were shot and killed in Chicago over the weekend and nobody gives a fuck because they want the faces of those killers on tv to be as white as possible.
Our fine readers have stepped up and given us enough material to stagger along another week. Search your soul and your conscience (I know, this I say to a bunch of Glibs?!) have you written up that post you meant to get to? Isn’t there something you’d like to share with us? Plz.
OK, my weekly plea is done – here is what will be gracing our site this week:
Monday – Animal discusses are really, really good gun (ZARDOZ is pleased, I bet). Tulip makes a very dangerous choice…. ’nuff said!
Tuesday – Not Adahn takes a crack at Whiskies of Nippon. whiz gives us some of the early bookie thoughts on 2020 POTUS FEST. Get your dull anger on, with Ozymandias and the DoD Anthrax saga late night.
Wednesday – Double barrel blast to your mental wellbeing – SugarFree opens the assault with the Hat & the Hair, and finishes us off with a Subaru Horror Theater. I…I don’t know if I can manage both.
Thursday – SNP! Baked Penguin willing. Later on, a warning re: Kaliforneeyah. By Yusef.
Friday – Another Glib Crossword! Don Escaped Texas takes a turn in the barrel. Cryptid o’ the week links later on.
Weekend – Mexican Sharpshooter, Spudalicious, OMWC, Not Adahn….what is not to like?
Weekday links….I dunno. Maybe sloopy keeps going. It has been cool having him back in the mornings. Brett will get to some afternoons, if he doesn’t fall down due to exhaustion. So expect a pinch hitter every once in a while.
Fall is coming early, and for some reason I sleep poorly during seasonal changes. Coupled with some effing robocaller sending me calls at 04:30 and I’m fairly well zonked. Thank goodness for three day weekends.
The signs this week are for zaniness, higgledy-piggledy and downright shenanigans. When Mercury and the moon line up with the sun, chaos is let loose upon the world. Fortunately Mercury is moving directly so we’re not expecting malice. This interpretation is further buttressed by the second involving the sun, to wit: Venus and the Earth. When you’ve got love and home added to the mix like that, it really calls for one thing: put a nylon tarp on the trampoline, and make a date with your lover and a bottle of baby oil.
You’ve pulled off the quinella. All the inner planets are belong to you. Everyone else can now hate you for a week or so, and demand some astrological redistribution. So make the most of it — do SOMETHING for heaven’s sake! Love, war, travel by water, travel by air, pretty much the only two things you won’t have auspicious signs for are governing and harvesting. So tax collectors can fuck right off. More than normal I mean. Sagittarius retains the king of the planets in its corner, so everyone else needs to play things straight, especially with Virgos running around a-whoopin and a-hollerin’.
The cards say that everything going to start off great then BAM! something really bad happens and the rest of the week is shit. I really hate draws like this when there’s an impending disaster in the news, because that gives the whole game away.
Virgo: 5 of Coins – Material trouble, lovers, concordance, affinities.
Libra: King of Coins – Valor, realizing intelligence, business and intellectual aptitude.
Scorpio: The Devil – Rage, violence, extraordinary efforts, that which is predestined
I guess since I’m out of the school season, and we don’t exactly have seasons here, my biorhythms are off. Well, maybe all my rhythms. It’s very confusing. New Years is only a couple weeks off, Yom Kippur right behind that. I don’t have my shul tickets, they don’t give senior discounts, so I guess I’ll continue my 51 year track record of disappointing Yahweh. But I’ll try not to disappoint you, the Glibertariant, eagerly awaiting my links and snarky comments.
Greeting to all the Glib movers, shakers, makers, lurkers, dreamers, weirdos, and, assorted riff-raff. It is I, your fellow night-filer, Sir Digby! I know, I know—just hear me out. This is my first attempt at an ongoing article series for glibs of, shall we say, non-traditional hours. I’m not quite sure what this is going to end up looking like, but, my plan is to make this something of a pot-luck offering: recaps, shout-outs, questions to get us thinking… Oh, and links: plenty of links. So, buckle up (or, don’t—I ain’t your papa) and let’s dive in:
If it’s the case that, “When everyone is special, then no one is special”, can that reasoning be accurately applied as, “When it’s everyone’s problem, it’s no one’s problem”? I can’t help but think that things like this happens in plenty of places when people give up power to politicians. They end up effectively telling politicians to handle issues that don’t impact those politicians, and/or, don’t provide extra income for government actors. The citizenry is incentivized to pass the buck, and the stuff doesn’t get done. Of course, when someone gets the notion to actually do something as a private action, they get vilified by anyone threatened by the idea of a shrinking government.
Have some pups, kittehs, and a baby kangaroo to make your night. Or day, if the sun’s up in your world. If you aren’t checking out Daily Dose of Internet, you should be involuntarily committed. Six million people can be wrong, but, not for subscribing to his page.
Does anyone here watch One America News? I don’t think I have access to it via cable (not cord- cutting just yet!), but have in the past. Since it seems to be the Fox News little sister that no one pays any attention to, I am wondering what my fellow glibs have to say about their coverage/analysis. It seems the leftists hate it—are their criticisms valid? If so, would that be why they aren’t usually cited…well, anywhere that I have seen?
So, what’s the deal with the Glibertarian Discord? How does it “work” in conjunction with this site, if, at all? I feel like it could be my second third home, but, I seem to just associate it with Twitch streamers, and I put it out of my mind for the glibs. But, a scroll through the various sub-threads shows several contributors that I see here regularly, some that I recognize from the long-ago, and some where I just draw a blank.
Can’t get enough of leftist shenanigans in higher education? Oh, me neither! I highly recommend you check out Benjamin Boyce’s video series on what happened on Evergreen State College in 2017. Just be sure to have something for headaches and for vomiting handy (especially when you get to around the 7th part). Trust me on this.
I know many around here aren’t big on birthday acknowledgements. However, since I got so many well-wishes from my compatriots here this month, and I saw that Yusef and Lord Humongous were celebrated as well, I want to be contrarian. So, I’ll close up the month with a Happy Birthday to all of us August-born Glibs! And, if you don’t like bacon birthdays, well, then the hell wit’cha!
*If you like having a night post for the weekends, and approve of this format, or, have suggestions on how to improve it, please say so in the comments–I am hoping this can be a collaborative effort.